*Rembrandt & Printmaking: New Views on a Golden Age *
November 5, 2015
Buell Hall, Maison Francaise
In conjunction with the exhibition, Rembrandt’s Changing Impressions (on view in The Miriam and Ira D. Wallach Art Gallery, Columbia University through December 12) and IFPDA print fair, this symposium sparks a new and closer look at Rembrandt’s astonishing print practice, its context, and its contributions.
Hercules Segers and Rembrandt –
Direct Influence or Kindred Spirits?
Nadine M. Orenstein, Drue Heinz Curator in Charge, Department of Drawings and Prints, The Metropolitan Museum of Art, New York
St. Jerome in Darkness and Light
Clifford S. Ackley, Ruth and Carl J. Shapiro Curator of Prints and Drawings, Museum of Fine Arts, Boston
Rembrandt and the Faust Tradition
Robert Fucci, exhibition curator
Edme-François Gersaint as
Chroniqueur of Knowledge about Rembrandt’s Etchings
Erik Hinterding, Curator of Prints, Rijksmuseum, Amsterdam
Desire and Disgust:
Collecting Rembrandt’s Etchings in Georgian England
Stephanie Dickey, Professor of Art History and Bader Chair in Northern Baroque Art, Queen’s University, Kingston, Ontario
Rembrandt as Experimental Etcher
Jan Piet Filedt Kok, former Curator of Prints and Director of Collections, Rijksmuseum, Amsterdam
This exhibition and related programming received generous support from the Netherland-America Foundation, the Dutch Culture USA program by the Consulate General of the Netherlands in New York, the IFPDA Foundation, and the European Institute at Columbia University.